Reimagining Conflict
by Marie Brennan Recently, I’ve seen a number of online discussions about stories without conflict, especially stories from outside the […]
by Marie Brennan Recently, I’ve seen a number of online discussions about stories without conflict, especially stories from outside the […]
By Kathy Flann We think of humor as something that just … happens. Yet, as someone who writes both humor
By Maria Haskins Writing flash fiction—commonly defined as a story of no more than 1,000 or 1,500 words—can seem daunting
By Kahina Necaise Convincing fiction is about cause and effect. That’s why, in my work as an editor, the two
by Yilin Wang Note: This article first appeared in The Bulletin #216 in October 2021. When I tell other writers
by Valerie Valdes Note: This article previously appeared in The Bulletin #216 in October 2021. You open the SFWA Bulletin
by Nick Wood (NW) & Isiah Lavender III (IL) After finishing a working stint as a psychologist in Aotearoa, New
by Eleanor Konik Often, speculative fiction relies on common government types, like monarchies and republics, because they’re familiar to
by Naomi Norbez With the release of Cyberpunk 2077 a few months back, there has been some debate about what it
by Priya Chand All narrators are unreliable. If you’re reading this thinking “hey, you’re misusing the term; ‘unreliable narrator’