Worldbuilding

by  Diane Morrison

“Hey, I’m looking for advice. My character lost a limb in the last fight.  Does anyone know about writing amputees?”

by Lauren Roux

We wanted to reach out to the Science Fiction Writers of the world and offer up our expertise to answer any questions you might have about the regolith on the Moon, some of the ices that might be there, and what it’s like to actually handle the lunar soil that is not only dry, but statically charged.

by Kevin L. O’Brien

It should be pointed out that while it is easy to pattern a quasi-medieval fantasy society after medieval Europe, European society of the Middle Ages didn’t just appear out of nothing. It grew from antecedents and so was based on a foundation of varied traditions, and there is every reason to believe that a fictional society would be the same way.

by Kevin L. O’Brien Welcome to Part Two of a series that examines technology and medieval machines that can be

by Kevin L. O’Brien

Welcome to Part One of a series that discusses technology and medieval machines that can be used for worldbuilding.

Many fantasy stories gloss over technological details that would be vital in a real-world setting. For example: how would a medieval-level society acquire the iron it needs for tools and implements?

by K. C. Norton

For the past three years, I have been working as a ghostwriter, writing coach, and English tutor. In my line of work, I almost invariably partner with people who are writing or editing their memoirs. For the most part, they’re content to know that I have a Master’s degree, but occasionally they want to know if I’ve published anything, and if so, what kind of stories I write for myself. I both dread and relish this moment, because it’s a chance to reveal my dirty secret: my preferred genre is Science Fiction.

by Sandra M. Odell

I love intricate, detailed worldbuilding; it’s the backbone of science fiction and fantasy stories, even those set in the modern era. Sadly, few things make me stop reading faster than the realization that a writer gave more thought to the description of a meal than they did to the how or why an accommodation for a character with disabilities came to be in a story. Inclusion and representation matter, and so do the supports that allow an individual with disabilities to interact with a writer’s world.