by Paul Jessup
It will probably happen to you. Almost every career for a professional writer hits a snag at some point. Usually after a huge burst of activity and a feeling of momentum, of going somewhere. It comes out of nowhere, out of left field.
Welcome to the December edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
Looking for the perfect gift for the book-lovers in your life? Want to do good for SFWA while you’re completing your holiday shopping? Check out SFWA’s Charity Auctions on Ebay.
by Jessi Cole Jackson Before delving in, I want to recognize that for many (myself included) fat is a loaded term, with years of abuse attached to it. I use it because it’s not twee or gendered and it does not reduce identity to a specific set of numbers. Also because I want to take […]
by Amber Massey
There’s a zen phrase that asks, “If a tree falls in the forest and no one is around to hear it, does it make a sound?” For writers, here’s a different question: If you write a story and no one is able to read it, have you really told it? Typography and fonts have a big impact on readability.
The Odyssey Writing Workshops Charitable Trust, a 501(c)(3) nonprofit known for offering some of the best programs in the world for writers of fantasy, science fiction, and horror, is offering three live, intensive online classes this winter.
Welcome to the November edition of the SFWA Pro Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Jeffe Kennedy
It’s apropos that “Lonen’s War,” book one in my Fantasy Romance series, “Sorcerous Moons,” is featured in the first SFWA Fantasy StoryBundle. That’s because the fantastically smart and helpful folks in SFWA helped me out with a worldbuilding challenge.
by Tim Susman
Since it’s fall and ghosts are in the air, I thought it might be a good time to talk about my research into vodou/voodoo, the religion and spiritual practices that coalesced on Haiti among the African slaves there and spread to America, most commonly and famously in New Orleans (for the purposes of this article, I use “vodou” to refer to the Haitian religion and “voodoo” to refer to the New Orleans practices).
by Douglas Smith
Eventually, I came to understand these stories were transcribed from versions people remembered being told when they were young or used to tell their children. Story telling was an oral tradition.
A hapless poet fails to connect with either a talking fly’s fantasy world or a writing machine’s science-fiction world in this tale of love, loss, and lunkheadedness told over the course of 63 poems in various forms and meters.
Pat Murphy is an acclaimed author of science fiction, fantasy, and science books for adults, teens, and children. She was the Activity Guru for the ed-tech startup Mystery Science and the Marketing Director for the Crucible, a school of fire arts.
