by David Alexander Smith Theme and meaning. Does the story move us? So we emerge from our fictional journey emotionally engaged, or wiser than we went in? Do we remember the story after we’re done? Along the way, does the story force us to think? Do we re-examine, or see afresh, things we take for […]
by David Alexander Smith Those of us who’ve been in the Cambridge SF Workshop for some time have developed an approach to critiquing that we find serves us well. These principles — our Critiquing Manifesto — help us work together to create the best fiction we can. 1. Why Are We Here? Often workshops founder […]
by David Smith This is only a partial list of the terms we have found most useful in critiquing sf. The glossary is issued now and then … but it is a living document. Amendments are welcome. If you use additional terms, or have better examples than those listed here, please suggest them. Action outline […]
We’re currently seeking an editor for the Craft of Writing blog. Duties would entail writing and soliciting posts on writing technique, with the aim of enlightening all who read them. If you think you may be a good match for this position, please contact Mary Robinette Kowal.
Article by science fiction writer Vonda N. McIntyre on manuscript preparation for SF/F genre fiction authors.
Article by Elizabeth Moon on advice for novice writers. Novice writers have to take some responsibility for their own careers. The good information is NOT that hard to find. The novices who don’t find it–and don’t find it repeatedly–are resisting the truth.
Publishing changed considerably after the 1979 Supreme Court ruling in Thor Power Tool Company v. Commissioner of Internal Revenue. Kevin O’Donnell, Jr., explains why.
Article by John Gregory Betancourt on the correct manuscript format for sf/f fiction.
A few questions answered and a few myths debunked regarding Copyright.
It doesn’t matter if you write fiction or nonfiction. You have to know the basics.
A hapless poet fails to connect with either a talking fly’s fantasy world or a writing machine’s science-fiction world in this tale of love, loss, and lunkheadedness told over the course of 63 poems in various forms and meters.
Mary G. Thompson is the acclaimed author of Flicker and Mist, Wuftoom, and Amy Chelsea Stacie Dee, which was the winner of the Westchester Fiction Award and a finalist for the Missouri Gateway Award. Thompson’s short fiction has appeared in Dark Matt
