By Rachael K. Jones Work-for-hire writing jobs are common in novel-length work, especially in the world of tie-in fiction, but rarer in short fiction. If you’re primarily a short fiction author, you might be caught off-guard if approached with this kind of work. You may not have an agent who can give you advice. You […]
UPDATE 12/3/2021: The NZ National Library has announced that they will be reconsidering their plans for this archival deal “in light of concerns raised by the various interested parties, including issues associated with copyright. The National Library will not export any of the OPC until it considered its next steps.” The full press release from […]
Science Fiction and Fantasy Writers of America (SFWA) is extremely pleased that the U.S. Copyright Office has issued a new copyright registration rule that will allow authors to register up to fifty short textual works published online for a single flat fee. SFWA, along with the National Writers Union, Horror Writers Association, and American Society […]
Using the Coronavirus pandemic as an excuse, the Archive has created the “National Emergency Library” and removed virtually all controls from the digital copies so that they can be viewed and downloaded by an infinite number of readers.
When you have your first (or next) contract in front of you for a traditionally published book, you are likely thinking primarily about your advance and what rights you want to retain. But one of the most significant clauses, usually found somewhere toward the end of the contract, may be the most important for you in the long run: the reversion clause.
by Dan Brotzel
Many writers find it difficult to talk about money, especially if it means asking for more and potentially risking turning down an offer of publication. But writing is a business as well as a passion, and the more cash you can secure for it, the more time you’ll be able to devote to your craft. Here are a few pointers on how to approach the dark art of negotiation…
The SFWA minimum payment rate for professional short fiction markets is now eight cents per word. In accordance with our mission to support and empower science fiction and fantasy writers, SFWA periodically reviews and adjusts the minimum payment rate for professional short fiction markets (known colloquially as the SFWA pro rate). On January 16, 2019, […]
by Ethan Ellenberg
It’s a whole new world of Author opportunity for anyone with a backlist and that includes the Estates of deceased Authors.
I’ve written this post to provide an overview of what Authors and Heirs should be monitoring and pursuing.
by Douglas Phillips
Sometimes, we get dragged into legal battles whether we like it or not. This happened to me, and I want to be sure every author hears the story, because it could happen to you too.
by Ethan Ellenberg
Now we are in a whole new world. There are different ways to be published and author incomes are coming from a far wider range of sources. The standard book agreement that routinely grants the mainstream book publisher a license for the ‘term of copyright’ has to be re-considered.
A hapless poet fails to connect with either a talking fly’s fantasy world or a writing machine’s science-fiction world in this tale of love, loss, and lunkheadedness told over the course of 63 poems in various forms and meters.
E.E. King is an award-winning painter, performer, writer, and naturalist. She’ll do anything that won’t pay the bills.
Ray Bradbury called her stories, “marvelously inventive, and deeply thought-provoking.”
