Short stories are a proving ground. They let you get out there, try a bunch of things out, and make your mistakes small so you don’t have to make all of them big. When I hear an unpublished writer talking about the epic fantasy trilogy they’re going to write, my first thought is, “What a shame.”
An outline is a roadmap. It helps you decide the overall shape of the novel. It does not lock you into that structure if you stumble upon something interesting.
There are tons of great resources on writing fiction, and I won’t even attempt to get into all that information here. What I’m going to focus on are the macro, big-picture things I’ve learned through personal experience.
[SWFA’s presence at BEA] this year was an experiment, but a wildly successful one. We were able to inform, educate and engage people from all areas of the publishing world. Dozens of bloggers and librarians stopped by to talk to us and thank us for being there.
& Smell the Coffee-Colored Skin, White Authors!
Which came first—the chicken, the egg, or the egg white omelet—I don’t know. But the discussion glosses over an obvious gap: white authors.
When it comes to social networking, Pinterest has emerged as a major player. Cat Rambo provides an excellent overview.
Everyone can improve their abilities at almost anything with determination, practice, and coaching.
My personal preference is for what I’ve called third-order answers. A lot of mysteries have an obvious culprit, and then a character who is, if you know your narrative conventions, the obvious alternative to the obvious culprit. I like mysteries that go one step further.
BooklifeNow.com, a website that serves as support for and a supplement to Booklife: Strategies and Survival Tips for the 21st-Century Writer by author Jeff VanderMeer, is proud to announce a new website rebranding and content management team that aims to keep current with changing trends in the writer’s market, as well as increase reader engagement and grow the reader base.
The way to become a published writer is to write (and to submit what you write). Seems obvious, yet so many would-be writers produce that one story or novel and then rework it endlessly, or submit a story or three, get rejected once (or a hundred times), and decide to give up.
A historical fantasy: the remarkable tale of Miss Bristol, a young woman born in 1885 who lost herself, found herself, and learned how to eat pizza like a New Yorker in 2025.
Auston Habershaw is a science fiction and fantasy author, writing about the could-be and never-was, and also teaches composition and literature at MCPHS University in Boston, MA.
